The current character sheet already contains the emotional skeleton of Mae’s life:
But the New York section is now outdated because the canon logs transformed her from:
“girl surviving Manhattan escorting”
into:
“woman accidentally building a real life through intimacy, performance, and visibility.”
Right now there’s a narrative gap between:
That missing space is now where the entire Christopher Nash arc belongs.
And structurally?
It works beautifully because each partner represents a different stage of Mae’s emotional evolution.
This is not really: